 uring the development of Chinese contemporary art from 1980s, there is an obvious existing fact which has not been noticed--- black, white and grey colors are always chosen to be used on the paintings, photographs and video works by many artists of the time. What kind of social-psychological state does this artistic language suggest? This question will be discussed in the exhibition through many works of several important contemporary Chinese artists, among them, there are Chen Jieren(Chieh-Jen),Fang Lijun,Guo Jin, Guo Wei,Hai Bo,He Sen,Li Dafang,Li Luming,Mao Xuhui,Shi- Xinning,Xin Haizhou,Yang Fudong,Yang Shaobin, Yin Chaoyang,Yu Hong,Zhang Xiaogang,Zhao Nengzhi and Zhuang Hui.
Shi Xinning, “Bai Ya Coast”, 2003-2004, Oil on canvas, 210×164cm
Hai Bo, “They Series”, 2000, 127×180cm×2
Yang Fudong, “I Love Motherland”, 1999, Video, 12′
Yi Zhaoyang, “Plaza”, 2007, Oil on canvas, 200×300cm
Yu Hong, “Yu Hong was 20 years old in the Studio of China Central Academy of Fine Art”, 1986, Acrylic on canvas, 100×100cm
Zhao Nengzhi, “Phantom No.22”, 2007, Oil on canvas, 300×200cm×3
Guo Wei, “Friend No.3”, 2007, Acrylic on paper, 292×160cm
He Seng, “Li Shan: Unorderly Painting”, 2006, 350×210cm
Li Luming, “Eanling”, 2005, Oil on canvas, 120×100cm
Yang Shaobin, “No.19”, 2000, Oil on canvas, 260×180cm
Guo Jin, “Mr. Crow No.5”, 2007, Oil on canvas, 340×215cm
Fang Lijun, “1999.6.1”, 1999, Print, 488×732cm
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